Information, reviews, and miscellaneous shorts focusing on professional, nonprofit theater—from a Southeast Minnesota perspective.

Friday, June 15, 2007

As You Like It: A Primer

To help prepare for the upcoming Great River Shakespeare Festival and to help get over those who-was-that-again and what-did-he-say-about-his-brother and why-was-she-banished questions that can distract an audience member in the first few scenes of a Shakespeare Comedy, Minnesota Theatre offers its primer on William Shakespeare’s As You Like It.

As You Like It is a comedy

With a play billed as a comedy, Shakespeare’s audience would have had certain expectations about the makeup of a comedy. Shakespeare, looking for box office success, usually met those expectations. Not only would a comedy be funny, but it would often move from an urban to a pastoral setting, few will die, individual mishaps won’t spoil the fun of the play, and the hero will not only end the play happy, he or she will end the play getting married. Often the marriage happiness is so contagious that nearly everyone on stage will get married.

So with a happy ending assured, Shakespeare’s original audience could sit back and enjoy the word play, cross dressing, and other foolery without worrying about that powerful Duke on his way to the forest to cut everyone to bits for having too much darn fun while being banished. So we don’t have to worry about it either.

The Plot

I’ve just mentioned the powerful and mean Duke. Here’s the back-story: Duke Senior, the good Duke, and all his people have been driven out of the court by his brother Frederick—the usurper Duke. Duke Frederick is mean, but he loves his daughter Celia and even allows the banished Duke’s daughter Rosalind to stay in the court because Celia and Rosalind are great friends.

At the beginning of As You Like It, Duke Frederick changes his mind about Rosalind because he is mad that people keep running away from the court to join up with his banished brother in the forest. He banishes Rosalind, and Celia chooses to forsake her father and runs away with Rosalind.

In another spat between brothers, Orlando learns that his brother Oliver means to kill him, so he sets out to join up with the banished Duke. But just before leaving, Orlando has a brief encounter with Rosalind, and becomes sick with love.

That’s pretty much the plot. Bad guys stay at court; good guys leave for the forest where life is pretty good, rules are suspended, and everyone eats well.

Woman Dresses as a Man

Shakespeare returns to one of his favorite tropes: he has a woman dress as a man. In As You Like It, Rosalind decides that it would be safer if she traveled as a rough countryman, so she takes on the name and appearance of Ganymede. And as a man, she meets Orlando who is wondering the countryside writing love poems to her. Predictably, Rosalind will advise Orlando how to pursue his suit and even convinces him to say his love words to Ganymede with a vague promise that those words will somehow get to Rosalind.

It is interesting to note that modern audiences see a female actor playing a woman pretending to be a man. Shakespeare’s original audience—because all parts were played by men—would have seen a male actor playing a woman pretending to be a man. And while it might have seemed more natural to watch a male actor portraying a man, it is likely that the actor would have been a boy. This would make jokes about a lack of beard or other masculine trappings funny on several levels. But I digress.

Other Interesting Characters

Touchstone the Clown. Anytime Shakespeare includes a fool or clown, pay attention: there’s often wisdom with the wit.

Jaques. He spends the entire play wallowing in “melancholy,” shunning the company of the happy banished band. He won’t be cheered, but he does get to deliver one of Shakespeare’s most famous speeches: “All the World’s a stage, / and all the men and women merely players.” Look for it at the end of Act II.

Charles. Listed in the Dramatis Personae as “wrestler to Duke Frederick.” This is the only play I know that boasts a wrestler, and while it’s probably not worthy of note, I am noting it. Actually, much could be written about Charles: Charles is instrumental in Orlando and Rosalind meeting; Frederick has a wrestler who kills opponents while Duke Senior is wrestler free. Can’t wait to see who gets to play Charles.

The Plot (Again)

For those of you worried about the plot and the mean Duke traveling to the forest with his brutal army to end the happy party of the banished Duke: don’t worry. And for those of you who still worry, Shakespeare conjures up a third brother to Orlando in Act V who suddenly appears in the forest with news of the advancing Duke Frederick:

And to the skirts of this wild wood he came; Where meeting with an old religious man, After some question with him, was converted Both from his enterprise and from the world, His crown bequeathing to his banished brother, And all their lands restor’d to them again That were with him exil’d.

No need to worry: make way for the weddings, sit back, and enjoy a great play produced by the Great River Shakespeare Festival in their fourth season.

The Great River Shakespeare Festival launches its fourth season in Winona with previews on June 28 and June 29 of Macbeth and As You Like It. The two plays run through July 29.

Visit the Great River Shakespeare Festival for schedules: Great River Shakespeare Festival

2 comments:

UUFW Blogmeister said...

OK, Bob. So I do worry about plots. Is a believable plot too much to expect of the greatest playwright ever to have lived? As you describe, the play ends with the evil Duke's miraculous conversion to a godly life offstage (no fair). And how about the equally evil, Oliver's sudden change of heart? He encounters Aliena/Celia and immediately abandons his purpose of killing his brother Orlando. The play would have been a major tragedy otherwise. How convenient!

It seems to me that many of the Bard's plays have similarly unsatisfactory plots, for which the Bard would be trashed in the New York Times if he lived today.

Not being an English major, it might take me a while to demonstrate this, so I will confine myself to saying that I am reminded of Opera Seria (e.g. Mozart's "Clemenza Di Tito" & "Idomeneo"). In this 150 years-or-so-later genre, no significant plot development ever happens on stage. The singers just stand there and sing about offstage events.

It's weird, but you get used to it as long as the music is absolutely gorgeous. And it is in Mozart's case. And so it is with the Bard whose words are his music.

Of course, composers aren't expected to write great plots or any plots at all, just music. So it's fair to judge the Bard in part by his plots. Mozart had to make do with whatever librettos were available. It wasn't his fault that they were all ridiculous.

Well, anyway, "As You Like It" is a thoroughly entertaining play, if you can avoid worrying about the plot and GRSF's production is not-to-be-missed. Loved Carla Noack as Rosalind/Ganymede.

The end (if the Bard can end lamely, so can I).

Robert said...

Shakespeare would probably get trashed for many of his plays--especially the comedies. If he were writing today, he'd likely be attempting to make the next summer blockbuster flick, not fine theater productions or art films.

The only thing that is unsettling about that is the thought of what from our pop culture might be held up as high art or literature 400 years from now? The Simpson's? South Park? Survivor?

Anyway, I'm looking forward to seeing As You Like It. Thanks for your eloquent thoughts.

The End