Commonweal Earns International Ibsen Award

The Commonweal Theatre (Lanesboro, MN) has received a prestigious scholarship award from the Norwegian Ministry of Culture worth $45,000 USD (NOK 250,000). The award is in recognition of the Commonweal’s consistent work promoting the spirit of Henrik Ibsen. Ibsen, a Norwegian playwright whose work spans the late 1800s, is regarded as the father of modern, western drama. The Commonweal’s Hal Cropp and Adrianne Sweeney are representing the Commonweal in Oslo at the International Ibsen Awards Conference The award was to be presented Friday.

The scholarships are meant to recognize community-based arts organizations that use Ibsen’s work as “grounds for personal exchange in easily recognized issues concerning all cultures. . .[to] discuss challenging human problems.” With the award, the Norwegian ministry intends to recognize and encourage organizations that focus on “artistic issues in form and content where artists are given the opportunity to communicate something other than what public media is already filled with at any given time.”

The Commonweal is recognized for the entirety of its work, including its six-play season with 200 annual performances, it’s New Play Series that has yielded 12 world premiers, and its annual Ibsen festival. The Ibsen festival is highlighted each year by a production of one of Henrik Ibsen’s plays. The Commonweal staged Ibsen’s Peer Gynt in 2008 and plans to produce Hedda Gabler in 2009.

Jerome Yorke and Stef Dickens in the Commonweal’s Peer Gynt. (photo: Commonweal)

The Commonweal’s Artistic Director Hal Cropp indicated that the scholarship money will be used to enhance the Commonweal’s Ibsen Festival, particularly the Commonweal’s project “Bringing Ibsen to the Rural Midwest.” The award also increases the ties between the Commonweal and the Norwegian National Theater where Ibsen had served as resident playwright.

“The great long term thing for me and for the company is the ability to get to know, and to begin to have conversations with the Norwegian National Theatre, and explore the possibility of getting the Commonweal to go over there and them to come over here on an exchange,” Cropp said.

Along with the Commonweal, the Ministry of Culture presented scholarships to three other organizations: Center for Asian Theatre, Bangladesh; Pen Afghanistan, Afghanistan; and herStay, Norway.

Sources:
Minnesota Public Radio: Lanesboro theater receives international recognition
Ibsen Awards: Scholarships for International Ibsen Projects announced

Penumbra staging August Wilson’s Fences

With much of the Twin Cities buzz on the Guthrie’s production of Little House on the Prairie, not to mention a certain St. Paul convention group coming to town, Penumbra’s production of Fences could easily slip by unnoticed. But for this season, Fences tops my list of must-see Twin Cities theater.

Fences, Wilson’s second major play, followed closely on the heels of his ground breaking Ma Rainey’s Black Bottom. It was first staged in 1985 at the Yale Repertory Theater with James Earl Jones playing Troy Maxon, and it moved to Broadway in 1987. It won the Pulitzer for Drama in 1987.

The play would also become the second play in Wilson’s ambitions 10-play cycle which chronicles the the lives of African Americans in the 20th Century. Each of the 10 plays is set in a different decade of the Century with Fences representing the 50s. Wilson wouldn’t realize that he was writing the cycle until his next play, Joe Turner’s Come and Gone, yet some of the themes and motifs that would characterize the later plays are already present in Fences. For example, Fences introduces a mentally disabled man to stand as a flawed truth teller, chorus, and priest. Troy’s brother Gabriel, living with the consequence of his WWII head injury, is the first of many flawed and sometimes crazy griots that find their way into Wilson’s cycle demanding accountability to a shared community and history.

But what makes Fences so remarkable is the powerful central character of Troy Maxon and his damaged relationship with his son. Troy is both larger than life, serving the role that Arthur Miller might call a modern day tragic hero—highly respected by his friends and family—and heartbreakingly human in his failings.

Penumbra Theatre, which has previously staged all 10 of Wilson’s major plays, is in the second year of a commitment to produce Wilson’s cycle over 5 seasons. Wilson lived in St. Paul and was a company member of Penumbra during the time Fences was written and continued an artistic connection to Penumbra until his death in 2005 at 60. Theater patrons in the upper Midwest are beneficiaries of this unique relationship between company and playwright.

Fences
Penumbra Theatre
Directed by Lou Bellamy
August 21 through September 21
Visit the Penumbra for schedules and tickets: Penumbra Theatre

Twin Cities Reviews of Fences:

Star Tribune’s Rohan Preston: Fences is intimate, powerful
Pioneer Press’ Dominic P. Papatola: Penumbra knocks one out of the park with Fences
City Pages, Quinton Skinner: Home Run

Twin Cities review of Little House on the Prairie

Pioneer Press reviewer Dominic P. Paptola took Little House to task in Earnest ‘Little House’ can’t overcome its many shortcomings.
Star Tribune reviewer Graydon Royce was a bit kinder in his A purple-sky, golden-wheat ode to frontier America.

Little House on the Prairie
Guthrie Theatre
Directed by Francesca Zambello
July 26 - October 19
Visit the Guthrie for schedules and tickets: Guthrie Theatre