As has become the custom at the Commonweal, the Commonweal season begins
with a full production by the resident apprentice company. The production comes
as the capstone of a 10-month residence at the Commonweal for the 5 actors,
directors, production team members, ticket-takers, box office workers, and
practitioners of every job conceivable at the Commonweal. All five members of
the company have been busy on stage and off during the 2011 season.
It has also become customary that the apprentice production stands up very
well on the Commonweal stage. The shows are challenging, thought provoking and
very well played. This year’s production of The Metal Children promises to
continue this custom.
Gary Danciu and Rachel Kuhnle in Adam Rapp’s
The Metal Children by the Commonweal Apprentice Company. Photo by Jason Underferth.
The Metal Children, written by Adam Rapp, follows a washed up young-adult
novelist as he leaves his NYC apartment for the American heartland after his
book, The Metal Children, is banned by a small-town school board. There he
finds something more bizarre than fiction—extreme politics, radical teens,
and vigilantes in Porky Pig masks—all because of his book.
Megan Pence, who served as assistant director for two productions last
season, will direct. She finds that “what’s interesting about The
Metal Children is how one artist’s creation can spur a multitude of
consequences. An author writes a book, and it reaches further than he ever
could have imagined.”
The 2012 Apprentice Company includes Pence, Gary Danciu, Brandon Grayson,
Carla Joseph, and Rachel Kuhnle—all seen on the Commonweal mainstage during the
2011 season. The set, costumes, props, and sound design are also handled by the
five apprentices with the addition of guest lighting designer Michael Dold, who
is a senior at St. Mary’s University in Winona.
The Apprentice Program at the Commonweal Theatre is a ten month commitment
designed for recent college graduates or young professionals with commensurate
experience who would benefit from a prolonged relationship with a small
professional theatre company. Focused primarily on experiential learning
through a traditional mentor/apprentice relationship, the program affords
artistic opportunities, regular classroom instruction, and administrative
responsibilities in the areas of Marketing, Development, and Production.
The Metal Children has a limited run of 8 shows, Thursdays - Sundays, March
22 - April 1.
Visit the Commonweal for schedules and tickets: Commonweal Theatre
(www.commonwealtheatre.org)